Monday, 19 June 2017
Last weekend my grandson, Jake, made a nice surprise painting for his Dad, Bob. For Fathersday.
Just imagine, he's barely 18 months old.
It was just great to see him working at it, with that determination that all great artist have..... It looks like creativity jumped a generation (haha).
In the end the tape was peeled of.
You could hear him think: why did Mom destroy my beautiful abstract work?
Wednesday, 14 June 2017
I haven't posted much drawings lately. I had a dip in inspiration and preferred reading books in the present warm spring weather under our walnut tree in the back garden.
A few days ago I started drawing an eye, (of the left astronaut) in ink. Slowly, and completely unplanned I made this ink drawing. The drawing evolved under my hands.
You can find it below. Then with Gimp I added colours and a background.
You can seethe result above. It's about astronauts making a remote planet into a habitable environment. No Aliens so far.
Saturday, 3 June 2017
Wednesday, 31 May 2017
It's not a good sign to have a castle like this, it means that there were a lot of wars and gangs roaming this region. You don't need a castle when there is no threat.
An impression of the total complex, the drawing represents the central part. You have to cross three bridges to get there,.
Anyway, I decided to make this drawing today, it was nice and sunny on the terrace across the moat.
Tuesday, 30 May 2017
Sunday, 28 May 2017
Friday, 26 May 2017
I managed to make this one of the Domtoren, which used to be the highest tower of the Netherlands.
I was sitting on the terrace of an Indian restaurant, which was pure luck, because it briefly rained. Short but strong. Luckily we were covered by a canopy.
Wednesday, 24 May 2017
Stood up half an hour early to sketch this scene. Before I started I made a big coloured stain on the page, and made te drawing on top. Somehow it interferes with the drawing, which (sometimes) gives a vivid effect. A good way to loosen up the drawing style.
Sunday, 21 May 2017
I helped organizing it, my part was mostly organizing the workshops.
There were three: Christiaan Afman Veenema did "blind drawing and continuous lines", Julia Henze did Lettering of Urban Sketchers", and I did "Negative space".
The workshops were a huge success, not in the least because of the dedication of the participants. In my workshop they worked hard and concentrated, I did not make it easy.
Unfortunately I did not make pictures during the workshop, have to think about that the next time.
As teacher you don't have a lot of time left to draw, I only made 2 drawings. Will post them later.
Tuesday, 16 May 2017
The theme was "silent lives".
It reminded me of about how we wiped out our shared history of the coalmines in this region. I said it before, there is nothing left but ugly scars in the landscape.
And the miners themselves (almost all are gone now), they kept silent about that era. If I remind correctly, back then they didn't even talk about underground. As if it were 2 different worlds, below and above.
I used fibreboard, put tilemortar on it, gessoed it, then an underpainting of acrylic. Finally oilpaint,
Sunday, 14 May 2017
I kept the bottom half unpainted, the white is the gesso, to emphasise the head. The purple was chosen as contrast to her very white hair (the real background was bleak grey).
I was very pleased with the portrait, and so was Kitty.
Acrylic on fireboard, 40x60cm.
Wednesday, 10 May 2017
This coal mine has stopped for years, and is now preserved as monument to Industrial Architecture.
It's fantastic, especially the part where they used to make cokes. This scene.
The coal would be heated for hours to 180 degrees in the closets on the right, and then dumped into the water and transported.
It reminds me of my youth: there was a huge coalmine around the corner, literally (Staatsmijn Emma), and I still remember that I could see the same kind of cokes-furnaces from the bridge crossing the railroads on the Akerstraat.
Friday, 5 May 2017
My favourite composer and my all-time favourite piece of music.
This was an exceptionally good performance. I saw the same opera in Amsterdam a few years ago, in original the 1978 and even the original perfomers. And that was really 1978.
This was contemporary, abstract, with computer steered visual displays (the background images pulsate, move and change with the actual performed music, so each concert is different).
It was 3 1/2 hours non-stop repetitive music. I would go again tomorrow if Dortmund wasn't a full 2 hour drive away.
Above picture is mine, at the start of the concert, the bottom one from the site of the Operahouse Dortmund.
Wednesday, 3 May 2017
We stayed in Tetaigne, a tiny village near Sedan. Our former neighbours have a Bed & Breakfast & Dinner there, Lovely place to stay and dine. We exchanged many good stories of the old days.
On saturday we made a trip through the surroundings. Montmedy is an old military town, with a fortified citadel. The weather was good enough for a coffee on the terrace on the market square, so I had chance to draw this scene.
Thursday, 27 April 2017
Sunday, 23 April 2017
This time I took a simple sheet of plywood, and tried to paint subtle, trying to keep the wood character into the painting. Even though the resemblance is ot striking, I think it looks vivid. For a life portrait session I guess that accounts for something.
Acrylic on plywood, 50x60cm.
Wednesday, 19 April 2017
Sunday, 16 April 2017
This is Germaïn, a very good model, which we had the pleasure to paint last Saturday during live portrait painting class. It was supposed to be a two mornings session, but somehow the painting worked out so vivid, that I decided to leave it at this. I had something totally different in mind with the red background, but somehow the red appearing in parts of the face, together with the gesso-white of the fibreboard just worked out fine. Acrylic paint on wood, about 40x60cm.
Here are the earlier stages of the painting, and a picture of Germaïn (I posted this picture without his permission, I don't know how to reach him, if there is any problem I will remove it).
I show it here to show which choices I deliberately made.
Thursday, 13 April 2017
One of the things I did the last few months is (re)working this painting.
I was not content so far. I changed a few things, like trees and skin. It's done now.
If you want to see last years version, see this link.