Another view of the castle, this time overlooking the city and the Loire.
Just returned from a lovely holiday in France, in the Loire valley. We stayed at a holiday camp near Saumur, together with my son and our grandchildren Finn (6) and Zara (5). One of the days I went up to the castle, high above the town, and made a few sketches. One of those is this one, on tinted paper.
Here the painting I was most proud of: an old, half collapsed barn in Leuze, a small village close to Any.
I took a pice of MDF wood 60x80cm, and sticked carboard to it, then acrylic paint.
It was really nice weather that day, warm, but not hot. The farmer even dropped by to look at what we were doing; he was quite talkative, and showed us the cows he was clearly proud of. THe barn dated back to WW2, and had been in this state since 20 years. Which is a small wonder.
I am lagging behind. Far too busy in the office. Another drawing/painting in Jaunes. Acrylic and charcoal.
Here is a study on bamboo paper 50x70cm, made with charcoal and acrylics, of an old farm in the little village of Jeantes.
A door of a workshop in Aubenton, the North of France.
I made this on location, using ribber carton, local newspapers, tilemortar on a wooden basis. And acrylic paint.
I tried to get the idea of the door.
Here you see a picture of the door, with the painting in the corner. It was fun to make.
We did several assignments, initiated by the artist Annemiek Jongen, who organized the week. All together our group consisted out of 12 painters.
Great scenery, perfect warm weather, plein-air painting during the day, superb French food for dinner, great company in the evening, and don't forget the abundant amounts of white wine: making art doesn't get better than this.
Watercolour of a workshop in an abandoned factory in Corravillers, France. I made a picture of it last summer, tried it out as painting. Schmincke paint on Millford paper. This is the second one, the first was horrible. Still not 100% satisfied. But when are we ever :).
Unfortunately the front (the other side of the building than shown here) was in scaffolding, as were the famous tainted glass windows. But when I made the interior sketch, the few remaining nuns came in (yes it's still a monastery) and sang hymns and flayed a flute. THat was really special.
This was what it looked like.
Another one from Corravillers, the third day. This time the idea was to use flat brushes only, and it should show. Acrylic on panel 40x50cm. I am kind of fond of this one.