Sketches
Monday, 24 February 2020
Thursday, 20 February 2020
Borgermolen, oilpainting
The Borgermolen in front of castle Terborg, in Schinnen. Just a few kilometers from my house.
I looked for a subject to paint, and found the white woodwork of the 1st floor quite interesting.
It's painted with waterbased oils, Talens Cobra. I only used Umber, Sienna, blue and Paynes grey. Thin watery layers of paint, then washed out with water using crumbled paper, rulers, cloth etc. Slowly the image emerges from the mud.
I looked for a subject to paint, and found the white woodwork of the 1st floor quite interesting.
It's painted with waterbased oils, Talens Cobra. I only used Umber, Sienna, blue and Paynes grey. Thin watery layers of paint, then washed out with water using crumbled paper, rulers, cloth etc. Slowly the image emerges from the mud.
Friday, 14 February 2020
Tagebau Inden
I went to an exhibition of the drawings of the French comic book author Moebius (Giraud) in Brühl, Germany.
On the way there I passed Inden, just behind Aachen. There are huge browncoal works there. I was able to get to the edge of the terrain, viewing into the deep open mine. The machine on top of the hill stands about 2 km away, and is about 65 meters high. Just to get the scale in proportion.
On the way there I passed Inden, just behind Aachen. There are huge browncoal works there. I was able to get to the edge of the terrain, viewing into the deep open mine. The machine on top of the hill stands about 2 km away, and is about 65 meters high. Just to get the scale in proportion.
Tuesday, 11 February 2020
Anatomy
Abelated christmas present for my son-in-law. He has a physiotherapy practice, and wanted an anatomical painting on his wall. I once visited Körperwelten, Body worlds, and made drawings of preserved human bodies. I made this collage basd on pictures of some of the displays.
Made on fabriano paper and caran d'ache watercolour pencils (museum quality, they are very good).
Made on fabriano paper and caran d'ache watercolour pencils (museum quality, they are very good).
Sunday, 9 February 2020
Thursday, 6 February 2020
Lefthand gothic
Lefthand Gothic. Once in a while I do some drawing games with others.
Laura S. Fiat organized a "Sherlock game", a bunch of people make a drawing on a subject, and everyone will have to guess who made which drawing. Actually that is very hard. I only had one correct.
Subject this time was: make a drawing with your left hand, including a mirrored handwritten text.
Very hard to do.
And my inside joke: the chapel in the back is the one that is featured in the well known painting: American Gothic by Grant Wood.
Laura S. Fiat organized a "Sherlock game", a bunch of people make a drawing on a subject, and everyone will have to guess who made which drawing. Actually that is very hard. I only had one correct.
Subject this time was: make a drawing with your left hand, including a mirrored handwritten text.
Very hard to do.
And my inside joke: the chapel in the back is the one that is featured in the well known painting: American Gothic by Grant Wood.
Friday, 31 January 2020
Anatomy excercise
Excercise for a larger drawing, a commision for an assembly of several anatomical bodyparts.
This image was based on pictures of the Body World exhibition in Amsterdam. In 2014 I went there to draw corpses for a day. See 2014/08/body-worlds-amsterdam.
Made with a new set of Caran d'Aches Museum watercolour pencils, that I recieved for testing through Liz Steel, kast summer in Amsterdam. They are fantastic.
This image was based on pictures of the Body World exhibition in Amsterdam. In 2014 I went there to draw corpses for a day. See 2014/08/body-worlds-amsterdam.
Made with a new set of Caran d'Aches Museum watercolour pencils, that I recieved for testing through Liz Steel, kast summer in Amsterdam. They are fantastic.
Tuesday, 28 January 2020
Marleen, but not really
Made with Technalo pencils in a A5 moleskine sketchbook.
Sunday, 26 January 2020
Utrecht, Oude gracht
We had a meeting as urban sketchers Netherlands with all the local groups, to discuss issues and future plans. And to learn from each other and exchange information. Very well organized by Roger Klaasen and Judith Spijk. After that we had a few drinks, and took a moment to sketch at one of the canals in the centre of town. The Oude gracht, at the "werf". But it was rather cold, just above freezing point. By the time I finished this one my hands almost fell off.
Thursday, 23 January 2020
Saturday, 18 January 2020
Magpie in glass
I had finished this glass object some years ago, but it rested in a drawer in my house.
I never had the time to make the basis. During christmas holidays I finally got around finishing it. It now has a teakwood base.
The object is made from small stripes of coulored glass. When the sun shines through it is even more beautiful that the picture shows.
I never had the time to make the basis. During christmas holidays I finally got around finishing it. It now has a teakwood base.
The object is made from small stripes of coulored glass. When the sun shines through it is even more beautiful that the picture shows.
Sunday, 12 January 2020
Olst, Overijssel
Business appointment in Olst, a village at the banks of the river "de ijssel".
We were a bit early, and parked on a quiet street in the village to eat some sandwiches (in the car). A moment to catch up on emails and phonecalls. This was the view out of the frontwindow of the car.
Took me 12 minutes to make this drawing. I had forgotten my watercolours, but washing out a Koi brushpen did the trick as well.
It's a very old farm called "De rooze".
We were a bit early, and parked on a quiet street in the village to eat some sandwiches (in the car). A moment to catch up on emails and phonecalls. This was the view out of the frontwindow of the car.
Took me 12 minutes to make this drawing. I had forgotten my watercolours, but washing out a Koi brushpen did the trick as well.
It's a very old farm called "De rooze".
Friday, 10 January 2020
Monday, 6 January 2020
Somewhere near Vaals
An exercise in watercolour.
This painting is based on a watercolour painting of a scene in Limburg, originally made by the fabulous painter Edo Hannema. His painting was a winter-scene, and I wondered what would be needed to turn it into a summer-scene. But still keep the same idea about contrasts.
I think painting was succelfull in this respect, but not as good as Edo's scene.
I had not done wet-in-wet technique for a long time, I must do it more often, it was a pleasure to do.
Watercolour on Fabriano A4 paper.
This painting is based on a watercolour painting of a scene in Limburg, originally made by the fabulous painter Edo Hannema. His painting was a winter-scene, and I wondered what would be needed to turn it into a summer-scene. But still keep the same idea about contrasts.
I think painting was succelfull in this respect, but not as good as Edo's scene.
I had not done wet-in-wet technique for a long time, I must do it more often, it was a pleasure to do.
Watercolour on Fabriano A4 paper.
Sunday, 5 January 2020
Chinatown NYC: underpainting
I started another serious painting again. A cityscape, of a picture I made last April in New York City. It's a location in Chinatown, where East Broadway crosses the Manhattan Bridge, an underpass.
The scene is in the rain, it was pouring that day. The basic photograph was taken on the go, while walking, it's not that good.

The location doesn't look like much on google streetview.
Anyway, this is just the underpainting (to get the composition and colorthemes right).
On canvas 50x60cm, so far with acrylics.
Next step is to adapt the scene to strengthen the scene, take out those elements that don't enhance the story.
Then painting it with oils. (I use Cobra watersoluble oilpaint).
I hope it will work out.
The scene is in the rain, it was pouring that day. The basic photograph was taken on the go, while walking, it's not that good.

The location doesn't look like much on google streetview.
Anyway, this is just the underpainting (to get the composition and colorthemes right).
On canvas 50x60cm, so far with acrylics.
Next step is to adapt the scene to strengthen the scene, take out those elements that don't enhance the story.
Then painting it with oils. (I use Cobra watersoluble oilpaint).
I hope it will work out.
Tuesday, 31 December 2019
Sunday, 29 December 2019
Tuesday, 24 December 2019
Sunday, 22 December 2019
Tuesday, 17 December 2019
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